Porsche and Pixar Bringing Sally Carrera From "Cars" To Life

Mini may have only one EV in its current lineup, but it is well on its way to meeting the BMW Group's directive of having at least half of its vehicles go electric by 2030. Mini is starting to tease that electric future one concept model at a time. It wasn't long ago that the brand bought a "skunkworks" Mini Cooper SE convertible to Miami, Florida as a feeler.Now Mini is pulling back more of its electric curtain with the debut of its Concept Aceman. The Mini Concept Aceman would be the brand's first EV crossover and "provides a glimpse of a completely new vehicle, bridging the space between the Mini Cooper and the Mini Countryman in the future of the model family," says Stefanie Wurst, Head of Mini in a release.The Mini Concept Aceman is supposed to "reflect how Mini is reinventing itself for its all-electric future and what the brand stands for:  an electrified go-kart feel, an immersive digital experience and a strong focus on a minimal environmental footprint," according to Wurst.Mini's new design languageUnlike the Mini Cooper SE convertible (or the Cooper SE hatch on which that model is based), the Mini Concept Aceman is more than a drivetrain swap into a current Mini chassis. The Aceman also serves as a preview for Mini's new design language. Obviously, Mini wouldn't completely abandon the major design elements that are synonymous with the brand but it is looking to make changes that better align with its so-called "reinvention.""With this approach, we are redeveloping the Mini design icons, with all their analogue strengths, for the digital future," said Adrian van Hooydonk, Head of BMW Group Design.According to the official press release, Mini officially refers to its new design language as "Charismatic Simplicity." One of the most noticeable elements is the octagonal front "grille" which is really more of an illuminated outline that borders the radiator area. The geometric theme continues to the headlights. It's different for Mini, but there aren't so many angles and creases that the overall design isn't relatable to the classic rounded headlights that Mini is known for.The interior is a study in tech minimalismPassengers face a dashboard that is nearly devoid of tactile buttons, vents, or gauges. There is a round OLED touchscreen in the center of the dash, which serves as the hub of all of the infotainment as well as readouts like speed and battery range. Underneath the OLED screen is where traditional Mini toggle switches can be found.The infotainment system utilizes the Mini Companion software which offers "sensor based animation" that choreographs light and sound for what Mini calls a "holistic user experience." These animations extend into light arrays that are hidden in the dashboard and door panels. Different animations will playout through the OLED screen, dashboard, and door panels as passengers enter and exit the vehicle.Moving image projections can also transfer graphics and animations from the Mini Operating System to the dashboard for an added wow factor. These animations can create "diversified interactions" on the OLED screen when stopped at a light or charging the battery.The Mini Concept Aceman is set to make its debut physical appearance at the Gamescom video game fair in Cologne, Germany on August 23, 2022. 

Miss the Big Game this year? Maybe you don't get into the whole "sports thing." Either way, the commercials are always a huge part of the Super Bowl broadcast. Seeing as how you're reading about those game-day ads here, on MotorTrend, guess what? We're going to talk about the car commercials from Super Bowl LVI, of course! Here's a quick recap of the car spots we spotted during the game:Chevrolet | "New Generation"Fans of "The Sopranos" probably spat out their drinks and sat up when the HBO series' theme song "Woke Up This Morning" started oozing from their speakers while the show's opening sequence driving from New York City to New Jersey rolled on. But something in the iconic opening is different...James Gandolfini's Tony Soprano isn't peeking at us through the rearview mirror...it's his on-screen daughter, Meadow (Jamie-Lynn Sigler). And there's something different about Tony's '90s Chevy Suburban...the dashboard looks way too modern. Without giving away the ending, "New Generation" reimagines the Sopranos' original family ride as the new Silverado EV pickup. Cool.Hyundai | "History Of Evolution"Starring actor Jason Bateman in his more usual comedic guise—as opposed to his darker turn in the drama "Ozarks" on Netflix—this Hyundai ad runs viewers through major technological developments throughout history while reminding them that those developments always had a rough start. This pivots, eventually, to the concept of an electric vehicle, which Bateman says is now reaching maturity—thanks to, of course, the new Ioniq 5 electric crossover. We're not sure about the Ioniq 5 being the be-all, end-all of EVs, but it is a darn good battery-electric SUV. And affordable, too.Kia | "Robo Dog"This Kia spot is cute and includes a dog, ripping a page out of Subaru's advertising playbook. But while general audiences might find the robot-puppy-finding-a-new-home-with-a-human plotline endearing, it takes a closer read to realize Kia is plugging (pun intended) the new EV6 electric crossover's ability to power other things using its battery. To wit, at the end of the commercial, the robo-dog is "saved" by an EV6 driver using its "vehicle-to-load" charging function, which can deliver electricity from the battery to external sources, be it a large appliance during a power outage or a stricken robotic puppy.Nissan | "Thrill Driver"Viewers should by now be familiar with actress Brie Larson making appearances in Nissan ads. For the Super Bowl, Nissan throws in a few more stars, including Eugene Levy, Dave Bautista, and Danai Gurira, to shill an unlikely car: The 2023 Z sports car. Hey, we're all for sports cars, but it's definitely unusual for an automaker to use such high-dollar ad space for a low-volume, two-seat sports car.BMW | "Zeus & Hera"BMW's ad leverages the high-wattage star power of Arnold Schwartzenegger and Salma Hayek but fails to generate much of a spark for the new iX electric SUV. Basically, Arnold plays Zeus and Hayek plays Hera; the god is retired yet is always being asked to charge up dead electronic devices using his lightning power (thunder?). Clearly tiring of his role as a god-smartphone-charger, Zeus is relieved to be given an iX by Hera, presumably because it zaps up Zeus rather than the other way around.GM | "Dr. EV-il"Reprising his role as Dr. Evil from the iconic Austin Powers comedies, Mike Myers holds court in one of his classic boardroom scenes with other original castmembers, including his son Scott (Seth Green); number two, Number Two (Rob Lowe); and Frau Farbissina (Mindy Sterling), while discussing his latest plans for world domination. Only one hitch: Climate change, which is billed as a pressing issue to first surmount. Dr. Evil must save the world in order to take it over, in essence, and needs to lower his carbon footprint to help. This is where GM's growing lineup of EVs comes in to play, and explains why Dr. Evil has anything to do with GM's EV lineup—Dr. EV-il, get it? The gang drives off in a new Hummer EV, a Silverado EV, and what appears to be a Cadillac Lyriq.Porsche | "Topgun: Maverick x Porsche"Porsche is one automaker that likely doesn't need to advertise, but here they are! This is less a commercial for a specific Porsche model than a crossover ad for its sports cars and the upcoming sequel to "Top Gun." If you remember the original fighter-jet bromance cinematic masterpiece, then you remember the love interest of Tom Cruise's character drove a classic Porsche; we assume, based on this ad, that a Porsche will feature in the new film, "Top Gun: Maverick." Really, it doesn't matter, because Porsche has wisely leveraged one of the best theme songs ever for a car ad.Polestar | "No Compromises"The brief, simple commercial from Polestar, Volvo's all-electric offshoot, seems effective. Listing several "no" phrases while flashing over the body of a Polestar 2 EV, "No Compromises" is a quiet introduction for Polestar on a stage as big as the Super Bowl, but it'll surely get people talking, and that's exactly what an upstart automaker wants.

ferrari daytona-sp3 Full OverviewThe tach needle breezes past 8,000 rpm and keeps going. There's a keening edge to the metallic yowl filling the open cockpit, and the acceleration isn't letting up. Suddenly, I'm a wide-eyed 13-year-old at the movies again, riding along with Erich Stahler as he hammers his Ferrari 512 S flat-out down the Mulsanne Straight in Steve McQueen's epic film Le Mans.This is what that sounded like. And this is what I always imagined it felt like. A mid-engine Ferrari V-12 at nearly 9,000 rpm.Blue lights flicker across the top of the steering wheel. The 828 horses behind me are stampeding toward the engine's 9,500-rpm rev limit. I keep my right foot buried and tug the right-hand paddle, and there's a hard, clean crack from the exhaust, like a .30-06 fired deep in the woods. The tach needle drops to just below the 8,000 mark, and the banshee-mad rush continues unabated as the big, red roadster storms through the French countryside.Wrapped in jaw-dropping bodywork that controversially combines classic '60s curves with 21st century aero brutalism, the Ferrari Daytona SP3 is pure theater on wheels. This car unashamedly celebrates why you'd spend more than $2.2 million on an open-top Ferrari; the sound, the fury, the wanton magnificence of an engine format that's powered some of Maranello's greatest racing cars.A Cordial MissileBut you don't have to suffer for its art. Once you get used to the width of the rear fenders and the low clearance up front—using the standard nose lift system is essential when negotiating driveways or speedbumps—the Daytona SP3 is as benign and easy to use as a Ferrari 296 GTB. You could easily drive this thing every day.The Daytona SP3 is the latest in Ferrari's Icona series, a range of limited-edition cars handbuilt at Maranello using key components borrowed from previous Ferrari production cars. Just 599 will be built, and all have been sold despite that stratospheric price tag. The first of around 150 total cars for U.S. Ferrari enthusiasts arrives stateside in the second quarter of 2023.Although Ferrari engineers say about 70 percent of the Daytona SP3's components are new, the chassis is a modified version of the LaFerrari Aperta hypercar's carbon-fiber monocoque. The suspension layout and geometry are identical, as are the giant 15.7-inch front and 15.0-inch rear brakes.Like the LaFerrari, the Daytona SP3 is fitted with 20-inch front and 21-inch rear wheels, though the Pirelli P Zero Corsas, 265/30 at the front and 345/30 at the rear, have been specifically developed for the car to maximize stability in low grip conditions.That Engine—That Glorious EngineThe Daytona SP3's 6.5-liter V-12 is a modified version of the front-engine 812 Competizione coupe's powerplant. Codenamed F140HC, it is the most powerful internal combustion road car engine ever built by Ferrari.The F140HC makes its 828 horsepower at a dizzying 9,250 rpm and pumps out 514 lb-ft of torque at 7,250 rpm. That 9,500-rpm top end comes courtesy of new titanium connecting rods, which are 40 percent lighter than equivalent steel items, as well as new pistons, a lighter and rebalanced crankshaft, and sliding finger cam followers, a low-mass/low-friction technology borrowed from Ferrari's F1 engines.The first two Icona cars, the Monza SP1 and Monza SP2, evoked the spirit of front-engine Ferrari barchettas from the 1950s. The wasp-waisted Daytona SP3's voluptuous haunches and close-coupled cockpit channels mid-engine V-12 Ferrari race cars from the late '60s and early '70s.The Daytona SP3 is not as pretty as any of those cars, especially the gorgeous 330 P3 and P4, or the 512 S, but Ferrari design chief Flavio Manzoni says it's not meant to be a simple homage, a retro car. It's meant to be a modern interpretation of the spirit of those classic Ferraris, built in a modern way, using modern materials and modern technologies. That's why 2020s aerodynamic theory has played just as much a part in shaping the Daytona SP3 as 1960s nostalgia.The flics underneath the hooded headlights increase downforce at the front axle, for example, and surfaces on the front fenders and doors control airflow along the side of the car. Chimneys bring air from underneath and direct it past the rear haunches, over the top surface of the engine cover, and toward the subtle rear spoiler.It's clever stuff: Ferrari says the Daytona SP3 generates just over 500 pounds of downforce at 125 mph without any active aerodynamic devices.Interfacing With the MachineYou sit low in the Daytona SP3 and toward the center of the car, just as you would in a sports prototype racer. The seats are fixed, their basic shape integrated into the composite central tub and covered with foam. Tugging on a nylon strap at the front of the seat, between your legs, allows the pedal box to move fore and aft, and the steering wheel is also adjustable for reach and rake. Ferrari says the fixed seating reduces weight and helps keep the car's overall height to just 45 inches, which also helps minimize drag.The Daytona SP3's steering wheel features the same Human-Machine Interface (HMI) concept used in the 296 GTB, among others. Touch controls allow drivers to operate 80 percent of the Daytona SP3's functions without moving their hands off the steering wheel. Controls to switch the lights on and off, adjust the exterior rearview mirrors, and change the air conditioning settings are on haptic touch pads on the dash.The Manettino switch on the steering wheel activates four drive modes under the watchful aegis of an upgraded version of Ferrari's ingenious Side Slip Control system dubbed SSC6.1. Wet is for conditions when traction is at a premium. Sport is the default drive mode, and Race sharpens engine, transmission, and chassis responses. GT-Off gives the driver total control.The Daytona SP3 is the first mid-engine V-12 Ferrari to have the Ferrari Dynamic Enhancer (FDE) system that will allow drivers to drift the car if they want, automatically keeping the maximum yaw angle under control by adjusting the brake pressure at each wheel. FDE can be activated with the Manettino switched to Race and GT-Off modes.Even with the roof removed and the scissor door wide open, you need a snake-hipped wriggle to get past the protruding corner of the dash and into the driver's seat without kneecapping yourself. As you settle in and push the pedal box into the correct position, you'll notice the front tire right there, just past your left knee. Your feet are just behind the front axle centerline in a car with a 104.3-inch wheelbase.Cabs don't come much more forward than this.The Alcantara on the driver's seat spills over the vestigial center console and onto the passenger seat, almost giving the impression you've settled into a fancy bench seat. Two slim headrests wrap around like wings, ready to cradle a crash helmet. There's Alcantara on the padding on the doors and on the dash, and small mats on the floors. Pretty much everything else is naked carbon fiber.The SP3 ExperienceThumb the Engine Start-Stop logo on the steering wheel, and there's none of the turbine-like wind-up so typical of a V-12 start: The F140HC simply crackles into life and settles to a brisk idle. Even before you touch the throttle, it feels like an engine with low reciprocating masses.With the Manettino set to Sport and the seven-speed dual-clutch transmission left to its own devices, the Daytona SP3 will happily amble around all day at low to middling speeds, requiring little more effort to drive than a Toyota.The fixed seats are surprisingly comfy, and the ride is surprisingly supple despite the tight rein on the body motions and the contour-hugging low-profile tires. If the tarmac gets too gnarly, a quick press on the Manettino activates the Bumpy Road mode to further soften the ride.The bulging front fenders frame your view ahead, just as they do in a Le Mans sports prototype. The external rearview mirrors are mounted on them, right at the front axle line. They work brilliantly, providing an excellent view past the Daytona SP3's voluptuous hips.As there's no rear window, the internal mirror displays an image from a rear-facing camera. On a sunny day, with the roof off, it's useless, reflections obscuring everything. But as Raúl Julia said in The Gumball Rally as he ripped the rearview mirror off his Ferrari 365 GTB/4 Daytona Spider: "What's behind me is not important."Maybe it's an open-top Daytona thing…With all that power and torque moving barely 3,500 pounds, the Daytona SP3 feels impressively fast and light on its feet. Then you flick the Manettino to Race and the transmission to manual and … oh, lordy!It's Certainly PerformantFerrari claims the Daytona SP3 will sprint from 0 to 62 mph in 2.9 seconds (they say 2.85, but we round up) and hit 124 mph in 7.4 seconds on the way to a top speed of 211 mph. There are cars that are quicker through their gears and cars that are faster at the top end. But there's nothing that feels like this Ferrari on a full-throttle run.The rush of power from the screaming F140HC simply keeps building and building and building, right to the rev limiter. The Daytona SP3 feels like it will accelerate forever.Smooth and free-spinning and wonderfully tractable from little more than idle speeds, the F140HC is a masterclass in the art and science of the naturally aspirated V-12 engine. Its throttle response above 7,000 rpm is simply stunning, as crisp and sparkling as vintage champagne. It barks like a hot-rodded superbike engine on downshifts, the revs snapping so fast it's hard to believe it displaces 6.5 liters.It makes most big-horsepower V-8s feel as clumsy as barroom brawlers 15 beers in, punching the walls.It's not all about the engine, though. Maybe it's because you expect the extravagantly proportioned, extravagantly priced Daytona SP3 to be little more than a rich man's plaything, more for show than serious go, it comes as a genuine surprise to discover than when driven as hard as you dare, it stops and steers and goes around corners with the casual aplomb that's fast becoming a Ferrari trademark.Underneath the aural and visual theatrics is a serious, fully sorted car, with a chassis that's been set up to help you make the most of that extraordinary engine.The braking is strong and progressive, and the steering is precise and well weighted and delivers great feedback. The SSC6.1 system delivers a ton of traction out of the corners, even in Race mode, without compromising front-end grip when you go to power.It intimidates at first, this Ferrari, not the least because it's big and wide and powerful and costs nearly as much as a Manhattan condo. But after a couple miles it shrinks around you, and before long you're pinballing it from apex to apex like an old Mazda Miata, marveling at its acuity on changes of direction, exalting in the adrenalin rush of acceleration along the straights, and laughing out loud at the unholy mashup of Pavarotti and the Sex Pistols that is the F140HC's manic soundtrack.The Ferrari Daytona SP3 is the very antithesis of a rational automobile. But that's the whole point. It hasn't been designed to set new performance benchmarks, to showcase new technologies, to rewrite the supercar rulebook. It's been created to exhilarate and entertain, to deliver an intoxicating rush every time you punch the gas. To make you feel spine-tinglingly alive when you drive it fast.It's time to hand the Daytona SP3 back. But I just can't resist one more run through the gears. 8,000 … 8,500 … 9,000 … 9,500 rpm. Oh, yes, mission accomplished.Looks good! More details?